Sunset Blvd. (1950)
Director:
Billy Wilder
Tagline:
« A Hollywood Story »
Actors:
Joe Gillis
Norma Desmond
Max Von Mayerling
Betty Schaefer
Sheldrake
Rating:
(262’593 votes)
(262’593 votes)
Quotes:
« Joe Gillis: Wait a minute, haven't I seen you before? I know your face.
»
« Norma Desmond: Get out! Or shall I call my servant?
»
« Joe Gillis: You're Norma Desmond. You used to be in silent pictures. You used to be big.
»
« Norma Desmond: I *am* big. It's the *pictures* that got small.
»
« Norma Desmond: We didn't need dialogue. We had faces!
»
[last lines]
« Norma Desmond: [to newsreel camera] And I promise you I'll never desert you again because after 'Salome' we'll make another picture and another picture. You see, this is my life! It always will be! Nothing else! Just us, and the cameras, and those wonderful people out there in the dark!… All right, Mr. DeMille, I'm ready for my close-up.
»
Trailer:
Official Trailer
Runtime:110 minutes
Plots:
A failed screenwriter falls into a mercenary romance with a faded silent-film star.
Desperate for cash, screenwriter Joe Gillis has a chance meeting with a faded silent film star. Norma Desmond lives in her crumbling Sunset Boulevard mansion with only her butler to keep her company. She has become a sad demented recluse convinced that the outside world is clamoring for her dramatic return. Enticing him with the prospect of script work she puts him up in her mansion and he becomes ever more involved and entangled in her life.
Joe Gillis is a struggling B-movie Hollywood screenwriter who is having problems making ends meet, his car, a symbol to him of independence, which is threatened to be repossessed due to being behind in payments. In eluding the repossessors, Joe stumbles onto the decaying Sunset Boulevard mansion of fifty year old faded silent movie star Norma Desmond, who has largely been forgotten by the movie going public. The only other person besides Norma living at the mansion is Norma’s valet, Max, whose unofficial job is to prime Norma’s fragile but larger than life ego. It is somewhat due to Max’s lies about the public still clamoring for her that a delusional Norma is working toward her return to pictures in what is a vanity project. Even if her script was any good, the lead role should be filled by someone half Norma’s age. Joe senses an opportunity to act as Norma’s ghost writer, he only wanting to make a quick buck to pay off his creditors, not caring if the movie gets produced. In maneuvering to do the ghost writing work, Joe may be unprepared for what else Norma has in store for him in her need to be loved and wanted. As Joe gets seduced by the comfort that Norma’s wealth can afford, it may be too late for him when he finally comes to the realization about what he really wants and how much he has to forgo in stoking Norma’s ego.

