20th Century Women (2016)
Director:
Mike Mills
Actors:
Dorothea Fields
Julie Hamlin
Abbie Porter
William
Jamie Fields
Rating:
(52’649 votes)
(52’649 votes)
Quotes:
« Dorothea: What is that?
»
« Abbie: It's The Raincoats.
»
« Dorothea: Can't things just be pretty?
»
« Jamie: Pretty music is used to hide how unfair and corrupt society is.
»
« Dorothea: Ah, okay so… they're not very good, and they know that, right?
»
« Abbie: Yeah, it's like they've got this feeling, and they don't have any skill, and they don't want skill, because it's really interesting what happens when your passion is bigger than the tools you have to deal with it. It creates this energy that's raw. Isn't it great?
»
« Dorothea: Wondering if you're happy is a great shortcut to just being depressed.
»
« Abbie: Whatever you think your life is going to be like, just know, it's not gonna be anything like that.
»
Trailer:
20th Century Women
Runtime:119 minutes
Plots:
In 1979 Santa Barbara, Dorothea is a determined single mother who is raising her son, Jamie. Dorothea enlists the help of two women — Abbie, a free-spirited punk artist and Julie, a savvy teenager — to help with Jamie’s upbringing.
Love, life, and the struggles of a mother bringing up a son in the late 70’s. The ignorance of a free spirit against the needs of a young man trying to find his true character and beliefs. Living in a bohemian household shared with three like minded spirited people to help pay the rent, his mother tries to establish bonds that he cannot deal with. She cannot deal with his inability to talk, and enlists the help of other females in his life to share the burden of his upbringing. Slowly life unravels for them all without understanding how. In spite of their perceived struggles, they all go on to live defined lives without any serious consequences.
1979, Santa Barbara. Long divorced fifty-five year old chain smoker Dorothea Fields, a product of wanting to work during the war years, is an independently and liberally minded draftsperson. She has not had a steady man in her life since the divorce. Despite having a plethora of other people in their lives as Dorothea’s answer to almost every situation is to invite people over for dinner, she and her fifteen year old son, Jamie Fields, are the only other biological family each has per se in a meaningful way. Dorothea wants to give Jamie as much freedom and responsibility as possible to make informed decisions and mistakes from which to learn. As Jamie is at the age of transitioning into a grown-up and as she doesn’t recognize her son anymore as he is a teen of his day (the punk music about which she is truly mystified), Dorothea is still concerned, without that male influence, that he won’t turn into the adult she would want. As Jamie and their male boarder William, an Earth child who is tasked with doing the renovations on their house, haven’t really bonded in that buddy/buddy or father figure way, Dorothea turns to two other women in their lives to help her provide guidance to Jamie through this transition period. One is their other boarder, twenty-four year old Abbie Porter, an aspiring photographer, who is an inherently sad woman out of her own life confusion, and an avowed feminist. Two is Jamie’s best friend since childhood, seventeen year old Julie Hamlin, who he’s loved all his life and with who he has wanted to have sex ever since he hit puberty. The daughter of a therapist who forces her to be a participant in her teen group therapy sessions, Julie has long been sexually active, albeit not with Jamie, the sex about which she is rather nonchalant in liking it sometimes, and not liking it others. This situation with this collective is as much about each person’s development at this phase in their life with these other people as it is about Jamie becoming a responsible male adult, especially as he too is concerned about his mother, who, despite her independence, he feels has not moved on since the divorce.

