Can You Ever Forgive Me? (2018)
Director:
Marielle Heller
Tagline:
« Her greatest work will be her biggest crime. »
Actors:
Lee Israel
Jack Hock
Anna
Alan Schmidt
Andre
Rating:
(58’939 votes)
(58’939 votes)
Quotes:
« Marjorie: You can be an asshole if you're famous. You can't be unknown and be such a bitch, Lee.
»
« Lee Israel: I have been living in a state of enormous guilt and anxiety for the past year. Not because I felt like I was doing something wrong, but because I was always afraid of being found out. I can't specifically say that I regret my actions. I don't. I thoroughly enjoyed writing these letters, living in the world of Dorothy Parker and Noel Coward, pretending I was something I am not. In many ways, this has been the best time of my life. It's the only time recently I can remember being proud of the work I was doing. But it wasn't my work, was it? I was hiding behind these people, their names. Because if I'd actually put myself out there, done my own work, then I would be opening myself up to criticism. And I'm too much of a coward for all of that. I've lost my cat, the only soul that truly loved me, maybe ever. And I lost my friend, who might have been an idiot, but tolerated me, and was nice to have around. And I've realized that I'm not a real writer. In the end, it was not worth it.
»
« Jack Hock: You're a horrid cunt, Lee.
»
« Lee Israel: I love you too, Jack.
»
Trailer:
Official Trailer
Runtime:106 minutes
Plots:
When Lee Israel falls out of step with current tastes, she turns her art form to deception.
In the early 1990s, Lee Israel, a biographer with a modicum of writing success, has fallen on hard times largely of her own doing. Her choice of subjects is in general not of interest to today’s book buying public, and she, in her only true friends being her aged cat Jersey and a scotch and soda in not really liking people and people in turn not really liking her, has burned bridges with everyone her agent Marjorie has built for her. She will have to start from the ground up again if she wants a writing career, as, hiding behind her subjects, the book buying public will not buy a “Lee Israel” on the strength of her name in not knowing who she is as a writer or person. This situation has led to her being months behind in rent as she spends whatever little money she has on alcohol and Jersey’s medical needs. In doing research for her latest book on Fanny Brice – with no advance from Marjorie – and selling a cherished personal memento of a handwritten letter from Katharine Hepburn in needing the money, Lee discovers there is a market for such celebrity memorabilia, and in the process decides, with her writing talent, to go into the fraudulent business of creating and selling fake personal documents purportedly by dead celebrities, especially of writers with strong public personas, such as Dorothy Parker and Noël Coward. She ends up befriending a gay past acquaintance from her literary circles, Jack Hock, also having fallen on hard times, Jack, not only becoming her drinking buddy, but her partner in crime. As they are able to get out of their financial holes in this business, Lee may begin to have second thoughts in also befriending Anna, one of the rare bookstore owners who likes Lee for Lee, an unusual position for her. But as the fraud looks like it may catch up specifically to Lee, she, feeling like these fakes are at least stretching her writing muscles, only becomes more resolute in at least the creative pursuit of what she’s doing.
Lee Israel (Melissa McCarthy) made her living in the 1970s and ’80s profiling the likes of Katharine Hepburn, Tallulah Bankhead, Estee Lauder and journalist Dorothy Kilgallen. When Lee is no longer able to get published because she has fallen out of step with current tastes, she turns her art form to deception, abetted by her loyal friend Jack (Richard E. Grant). An adaptation of the memoir “Can You Ever Forgive Me?” relays the true story of the best-selling celebrity biographer (and friend to cats).
